Sigur Rós cover The Rains of Castamere for Season 4 of HBO’s Game Of ThronesAnd so he spoke, and so he spoke,
that Lord of Castamere,
But now the rains weep o’er his hall,
with no one there to hear.
Yes now the rains weep o’er his hall,
and not a soul to hear.
I have been listening to this non stop and I honestly cannot get enough… My two favourite things merge into one amazing thing.
Spirited Away (2001)
“My life is unrecognisable compared to what it was - ‘Game of Thrones’ has opened doors that were never there before. But it can be dangerous to see it in those terms, I think. It’s best to take it as it comes and work as hard as you can, and hopefully the other things fall into place.”
The dichotomy of feminine Sansa and her tomboy little sister, Arya, coupled with the modern tendency to champion a misunderstanding of feminism in the form of “strong women” only, erroneously causes many readers and viewers to assume that Sansa is somehow in the wrong from the very beginning. They view her through the misconception-colored glasses of “femininity=weakness”, and assume she is weak, soft, and shallow.
Despite the wishes of fanboys everywhere, Sansa Stark is here to stay, and may be one of the most important characters in political-fantasy to date. The young girl, trained in courtesy and domestic arts, began coming of age, gaining political awareness, and fighting for her own survival before many other characters in this series, and has the potential to become the most powerful player of “the game of thrones” in Westeros.”